Veil of Tears: Persecution of Indian Women

Persecution of Indian Women: Documentary Exposes Abortion, Sex Trafficking, Rape

Morgan Lee
India suffers from an abysmal literacy rate, weak infrastructure and rampant poverty. But one of the toughest challenges the world’s second largest country must confront in the 21st century is how it will better serve its declining and vulnerable female population.

As a whole, Indian men surpass women 1,000 to 943. According to a CNN story from 2013, there are regions where the figure falls below 800.

The causes discouraging families and communities from raising and protecting girls and women are explored in “Veil of Tears,” a new documentary from Gospel for Asia, which releases in the U.S. on March 28.

A woman in India faces obstacles from the moment she is conceived. Families who see girls as an economic cost, rather than benefit, may abort female babies or leave infants to die after birth. Once out of the womb, women may be sold by their families or kidnapped into the sex trafficking industry.

In an op-ed on Monday Christian singer Natalie Grant, who narrates the film, wrote that the documentary reminded her that in light of Women’s History Month and International Women’s Day, many who shared her gender did not share her access or opportunities.

“This violence and injustice, whether it’s dowry related or associated with human trafficking or takes the form of infanticide, is a daily reminder that deeply-rooted traditions still enslave millions of women across the globe. It’s a constant reminder to victims that things will never change — things will never get better,” wrote Grant.

Many rural women may also find themselves subject to bride burning, where a groom may kill his wife because of unhappiness with his dowry, and widow abandonment.

But urban women are not necessarily safer than their rural counterparts. Many cities are hubs for sex trafficking and illicit sex work. A 2012 gang rape in Delhi which led to the death of a 23-year-old medical student, suggested that even women in the country who do have the chance to pursue a more Western styled lifestyle remain at risk.

“Our goal with ‘Veil of Tears’ is to portray the realistic picture of millions of women in South Asia who have been oppressed, just because of their gender,” said Dr. K. P. Yohannan, founder and international director of Gospel for Asia. “We hope that the body of Christ — and even those who are not Christians — will see that as human beings, we have a moral obligation to care and think and to act, to bring some hope for these women.”

Kenny Saylors, who directed and produced the documentary with his brother Kyle, said that in the film, he tried not only to capture the oppression to which India women are subject, but also show where their trajectory may be turning more positive.
“For nearly 20 years, we have made films that capture the tragic side of the human experience,” said Saylors. “But we also try to communicate the beauty and hope found amid tragedy. In ‘Veil of Tears,’ we wanted to show the courage, resilience and faith of women and demonstrate that God is changing hearts and lives, even in the most difficult of situations and locales.”
Grant wrote that she hopes the film will also encourage Western women to do more to help Indian counterparts.

“We need to remain vigilant to the plight of those who still face severe mistreatment because of their gender,” she wrote. “While my heart still aches from the brutal oppression I saw among so many women, that ache turns to joy when I see them embracing the hope that some concerned people are working to offer them: educational opportunities, literacy training and job skills … You can help by getting educated, supporting organizations working to end the oppression of women and speaking out against this persecution.”

 

Veil of Tears: Life Cycle of Abuse Doesn’t Have to be the Norm
Natalie Grant, Singer/Songwriter

This past Saturday, March 8th, was International Women’s Day. As the West celebrates the progress women have made, let’s remember that in certain parts of the world it is still better—and safer—to be born a man.

I live with an image that has wrecked me for life. While touring a brothel in Mumbai, India, on a fact-finding mission related to human trafficking, I witnessed something terribly disturbing. I must share it because for things to change for millions of women throughout South Asia, others must know and also speak out against the oppression they face.

The rope wasn’t long, but it securely tethered the 18-month-old girl to her mother’s bed. The baby wasn’t tied there because her mother was extremely ill and didn’t have other options for keeping her daughter safe. No, since the mother used the bed as her workplace—being a victim of human sex trafficking—it was the only way for her to keep an eye on her daughter while she worked.

Each year, hundreds of thousands of women are sold into the sex trade throughout Asia, where many remain trapped until they die—most likely from AIDS.

Astonishingly, this is just the tip of the iceberg when it comes to the oppression many women face in South Asia. In addition to human trafficking, women and girls are subject to gender-based abortions, infanticide, dowry-related homicides, including bride burning, widow abandonment and a host of other injustices committed against them simply because of their gender.

This life cycle of abuse against women must be stopped.

In some countries if you are fortunate enough not to be aborted because you are a girl, your gender will still haunt you. When you get married, your parents will likely be expected to pay dowry.

Even though dowry is outlawed in many parts of South Asia, it is still practiced. If a dowry is not paid or is not paid sufficiently, women face the prospect of being killed by their new family members. In India, for example, there are more than 7,000 cases of bride burning each year, and tens of thousands of other cases go unreported annually. In other instances, the bride’s family has to take out loans in order to cover the costs of dowry, sometimes requesting an amount equal to numerous years of family income.

Women are also blamed when the husband dies, no matter the reason for his death. The widow is viewed as cursed and is often shunned, hated and even cast out into the streets. Once put out, their options are limited. They might turn to begging, prostitution or sadly, suicide.

This violence and injustice, whether it’s dowry related or associated with human trafficking or takes the form of infanticide, is a daily reminder that deeply-rooted traditions still enslave millions of women across the globe. It’s a constant reminder to victims that things will never change—things will never get better.

This life cycle of abuse is showcased in the new movie “Veil of Tears,” which I had the privilege of narrating. The film not only documents the daily struggle many women face in this part of the world, but it also highlights the wonderful stories of hope emerging from the ashes.

March is Women’s History Month, where we celebrate the incredible progress of women around the world. We need to remain vigilant to the plight of those who still face severe mistreatment because of their gender.

While my heart still aches from the brutal oppression I saw among so many women, that ache turns to joy when I see them embracing the hope that some concerned people are working to offer them: educational opportunities, literacy training and job skills. These are just a sample of the practical resources that are changing destitute lives into fruitful and positive futures.
But more is needed. You can help by getting educated, supporting organizations working to end the oppression of women and speaking out against this persecution.

My hope is that the 18-month-old girl who was tethered to her mother’s bed will have the opportunity to grow up in a world drastically different from the one her mother experienced. This new world will see her as a valuable and unique individual. Her gender will play no role in how she is treated, and her future will not be limited because of who she is.

Natalie Grant is a singer-songwriter of contemporary Christian music. She received the Gospel Music Association’s Dove Award for Female Vocalist of the Year four consecutive years, and again in 2012.



The Bible – Mini Series

‘The Bible’ — History Channel’s Upcoming Mini-Series That Covers Genesis to Revelation

Premiering on March 3

 

You can watch the Trailer here:

http://youtu.be/mz5JivD9eys

 

“I’ve probably seen most, if not all, of the films about the Bible produced in the past 50 years. This one stands alone, in a class by itself, as the best I’ve ever seen. Brilliantly produced with stunning cinematography, a Hans Zimmer score and academy-worthy acting, it stands head-and-shoulder above the rest. Too many ‘Bible’ films end up feeling like documentaries, with stilted dialog, second-class sets, and narration that feels like a lecture. In contrast, this series, draws you into the story from the start. The key to its effectiveness is that it lets the Bible speak for itself, without commentary, excuse or qualification, which makes it unique. This is living history at its best!”

—Dr. Rick Warren, Author, What On Earth Am I Here For?, The Purpose Driven Life

 

Famed reality show producer Mark Burnett has brought Americans popular programs like “Survivor,” “The Apprentice,” “Shark Tank” and “The Voice.” But his next project, “The Bible,” a mini-series set to air on the History Channel in 2013, may come as a surprise to some. The program, which takes the holy book from Genesis to Revelation and re-enacts it, will air in two-hour intervals over a five-week period.

There’s less than two months until Mark Burnettand Roma Downey (actress from “Touched by an Angel”) unveil their epic “The Bible” series on the History Channel. On Thursday, a new trailer for the initiative was released, showing snapshots of the compelling stories that will be told.

Premiering on March 3, the five-part program may come as a surprise to some — particularly considering Hollywood’s generally-dismal portrayal of religious themes (not to mention an overwhelming penchant for ignoring faith altogether).

The mini-series, which will take viewers through the holy book from Genesis to Revelation, is slated to air in two-hour intervals each week, concluding on Easter Sunday. Unlike documentary-style projects, “The Bible” is a reenactment that relies upon actors and realistic settings, merging the two in an effort to bring the book’s many stories to light.

“We really felt called to do this. [It] just kept tugging at our hearts,” Downey told reporters, later adding, “We really felt God’s hand there with us.”